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Calvin referenced the apparent bad blood between the two stars in a pop at his ex Taylor on Twitter – but how did it all get started?

Neither star has ever 100% confirmed those widely-held rumours of a spat – but neither has flat out denied them, either.

Her Brazilian film career was linked to a genre of musical films which drew on the nation's carnival traditions and the annual celebration and musical style of Rio de Janeiro, Brazil's capital at the time.

Miranda performed a musical number in O Carnaval Cantado no Rio (1932, the first sound documentary on the subject) and three songs in A Voz do Carnaval (1933), which combined footage of street celebrations in Rio with a fictitious plot providing a pretext for musical numbers.

Her father did not approve of Miranda's plans to enter show business; her mother supported her, despite being beaten when her father discovered that his daughter had auditioned for a radio show (she had sung at parties and festivals in Rio).

Miranda's older sister, Olinda, developed tuberculosis and was sent to Portugal for treatment; the singer worked in a tie shop at age 14 to help pay her sister's medical bills.

Miranda played Mimi, a young radio singer (who performs two numbers in the film) falls in love with a university student (played by singer Mário Reis).

The singer was later known as "Ditadora Risonha do Samba", and in 1933 radio announcer Cesar Ladeira christened her "A Pequena Notável".This passion for opera influenced his children, and Miranda's love for singing and dancing, at an early age.She was educated at the Convent of Saint Therese of Lisieux.During the 1930s Miranda performed on Brazilian radio and appeared in five Brazilian chanchadas, films celebrating Brazilian music, dance, and the country's carnival culture. By 1945, she was the highest-paid woman in the United States. Although she was hailed as a talented performer, her popularity waned by the end of World War II.

Miranda came to resent the stereotypical "Brazilian Bombshell" image she had cultivated, and attempted to free herself of it with limited success.

In Brazil, her parents had four more children: Amaro (born 1911), Cecília (1913–2011), Aurora (1915–2005) and Óscar (born 1916).

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